Pay attention to the quality of light and not just the subject. ÁÁÀº ºûÀ» Âï´Â °Ì´Ï´Ù. ÁÁÀº ´ë»ó¹°ÀÌ ¾Æ´Ï¿¹¿ä.
Shoot in warm light, around dawn or dusk. ÇØ°¡ ÀÖÀ» ¶§ ÂïÀ¸¼¼¿ä. »õº®ºÎÅÍ ÇØÁú³è±îÁö ÀÔ´Ï´Ù.
Always take a look at the edges of the view field. ¾ðÁ¦³ª ½Ã¾ßÀÇ °¡ÀåÀÚ¸®(³¡)¸¦ ÁÖ¸ñÇϼ¼¿ä.
Shoot plenty of film. ¼ÅÅÍ´©¸£´Â °É ¾Æ³¢Áö ¸¶¼¼¿ä.
Include a dominant element in the image. ³»°¡ ´ã°íÀÚ ÇÏ´Â °ÍÀÇ Á¦ÀÏ Áß¿äÇÑ ºÎºÐÀ» ºü¶ß¸®Áö ¸¶¼¼¿ä.
Always carry a polarizing filter and tripod with you. Æí±¤ÇÊÅÍ¿Í »ï°¢´ë¸¦ ì±â¼¼¿ä.
Gail Mooney (¡°America¡¯s Hometown,¡± July/August 1998) Be an observer. Be patient and watch life as it happens. then be ready to capture the right moments as they present themselves. »îÀ» °üÂûÇϼ¼¿ä. ±â´Ù¸®¸ç ÁöÄѺ¸¼¼¿ä. ±×¸®°í ÀÖ´Â ±×´ë·Î¸¦ »çÁøÀ¸·Î ´ãÀ¸¼¼¿ä.
Don¡¯t bog yourself down with all the latest gadgets. The real art is being able to communicate and to understand what the message is. ÃÖ½ÅÀÇ Àåºñ·Î ´ç½Å ÀÚ½ÅÀ» ¾û¸ÁÀ¸·Î ¸¸µéÁö ¸¶¼¼¿ä. ÁøÁ¤ÇÑ »çÁø(¿¹¼ú)Àº ±× °ÍÀÌ ¸»ÇÏ´Â °ÍÀ» ¾Ë¾Æç ¼ö ÀÖ½À´Ï´Ù.
A lot of amateurs make the same mistakes: not thinking about what they¡¯re shooting; not considering the light; staying on the outside and not getting in where the action is; using a flash in a big interior where it won¡¯t do any good. ¸¹Àº ¾Æ¸¶Æ©¾î´Â °øÅëµÈ ½Ç¼ö¸¦ ÇÏ°ï ÇÕ´Ï´Ù. ¹» Âï°í ÀÖ´ÂÁö »ý°¢Ä¡ ¾Ê°í, ºûÀ» ¹«½ÃÇϸç, ¸Õ°¡ »çÁøÂï±â ÁÁÀº °Í¿¡¼ ¸Ö¸® ÀÖÀ¸¸ç, ¾ÆÁÖ Å« ½Ç³»¿¡¼ Ç÷¡½¬¸¦ µµ¿òµµ ¾È µÇ´Â °ÍÀ» »ç¿ëÇÕ´Ï´Ù.
Never leave home without lots of extra batteries, a small flashlight, a compass, a magnifier,
and a weather radio. dz°æ»çÁøÀ» ÂïÀ» ¶§´Â ÃæºÐÇÑ °ÇÀüÁö, ÀÛÀº ¼ÕÀüµî, ³ªÄ§¹Ý, ½Ö¾È°æ°ú ÀÛÀº ¶óµð¿À¸¦ ì±â¼¼¿ä.
Jim Richardson (¡°Sojourn on a Southern Highway,¡± November/December 1998) Shoot more pictures and throw away the bad ones. You¡¯ll try more things: angles, exposures, and so on. The one way to get the photo right is to try lots of different approaches. ¸¹ÀÌ Âï°í ±×Áß¿¡¼ °í¸£¼¼¿ä. ±¸µµ¿Í ³ëÃâ°ªµîÀ» ¹Ù²Ù¾î ¿©·¯ °¡Áö¸¦ ½ÃµµÇϼ¼¿ä. ÁÁÀº »çÁøÀ» Âï´Â ¹æ¹ýÀº °°Àº °É ´Ù¸¥ °¢µµ·Î Á¢±ÙÇÏ´Â °ÍÀÔ´Ï´Ù.
The human eye sees differently than a camera, so try to imagine how that image will look in a photograph. ¿ì¸®°¡ º¸´Â´ë·Î »çÁøÀÌ ¸¸µé¾îÁö´Â °ÍÀÌ ¾Æ´Ï´Ï »çÁøÀ¸·Î ÂïÇûÀ» ¶§¸¦ ¸Ó¸´¼ÓÀ¸·Î ±×¸®¼¼¿ä.
Don¡¯t just point the camera at the scene. Try to create a sense of depth and put things in the image for scale. ´«¿¡ º¸À̴´ë·Î Âï´Â °Í¸¸ ÇÏÁö¸»°í dz°æÀ» »çÁø¿¡ ÀûÀýÇÏ°Ô ´Ã¾î³õ´Â Àڱ⸸ÀÇ °¨À» ¸¸µå¼¼¿ä.
Get up early and stay out late. ÀÏÂï ³ª°¡¼ ´Ê°Ô µé¾î¿À¼¼¿ä.
Force yourself to ¡°think little¡± and to ¡°think big¡± by doing close-ups and long shots. You¡¯ll gain a lot in the process of looking for details and grand-scale images. ÀÛÀº ÇÇ»çü´Â "ÀÛ°Ô »ý°¢ÇÏ°í" ³Ê¸¥ dz°æÀº "Å©°Ô »ý°¢Çϼ¼¿ä"
Try carrying a right-angle viewfinder and put the camera on the ground or up high on a ledge and experiment. ÀûÀýÇÑ ¾Þ±ÛÆÄÀδõ¸¦ ½á¼ »çÁø±âÀÇ º¸´Â ´«³ôÀ̸¦ ¹Ù²ãº¸¼¼¿ä.
Meet the people you are going to photograph and establish a rapport before you begin shooting. »çÁø ÂïÀ» »ç¶÷°ú ¸ÕÀú Ä£ÇØÁö¼¼¿ä.
Use wide-angle lenses for close-ups, because it¡¯s easier to create a sense of perspective. ´Ù°¡°¡¼ ÂïÀ» ¶§´Â ´õ ±¤°¢ÀÇ ·»Á ¾²¼¼¿ä. ¿ø±Ù°¨À» ¸¸µé±â°¡ ´õ ½±½À´Ï´Ù.
Carry a compact folding reflector to illuminate objects in the foreground. Á¢´Â ¹Ý»çÆÇÀ» °¡Áö°í ´ë»ó¹°ÀÇ ¾Õ¿¡ ³·Àº °÷¿¡ µÎ¸é ºûÀÌ ´õ »ð´Ï´Ù.
When you are traveling, go to a souvenir shop and pick up a bunch of postcards for the place you¡¯re visiting. It will let you see how others see each place so you can try to approach it more creatively. Invariably, you will also find something that you didn¡¯t know was there! ¿©Çà¿¡¼´Â °ü±¤»óÇ° °¡°Ô¿¡¼ ±× Áö¹æÀÇ ¿±¼µéÀ» º¸¸é ´Ù¸¥ À̵éÀÌ º¸´Â ¹æ¹ýÀ» º¼ ¼ö ÀÖ°í ´ç½ÅÀº ´õ âÁ¶ÀûÀÎ »çÁøÀ» À§ÇÑ ´Ù¸¥ ¹æ¹ýÀ» ãÀ» °Ì´Ï´Ù. ±×¸®°í ¹Ýµå½Ã ±× Áö¹æ¿¡ ÀÖ´ÂÁö ¸ô¶ú´ø »õ·Î¿î Àå¼Ò³ª º¼°Å¸®¸¦ ãÀ» °Ì´Ï´Ù.
Mark Thiesse |